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12
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September 23-29, 2007 |
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Art Scene in
Zamboanga City
By Carmencita H. Acosta
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Mayor
Celso L. Lobregat has been encouraging
the flourishing of art in Zamboanga
City. He knows that while trade,
industry, agriculture, finance and other
matters that make up for good governance
are vital, attention must also be given
to art because it is the collective
expression of the soul of the City.
Thus, he encourages the hol- |
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My
goal is to uplift my viewers, to give
them a sense of wonder, a feeling of joy
that there are so many beautiful things
in Nature.”
The National Museum of Zamboanga City is
located within the vast and imposing
coastal
structure that is Fort Pilar, around which the present metropolis
first developed. The moment I stepped
into |
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ding of art exhibits,
performances, contests and other related
activities in Asia’s Latin City. (See my
travel destination article Sept. 9-15
issue.)
Fortunately for Zamboanga City, there are many art talents
not only among professionals but among
students as well. The existing art
galleries provide the venue where they
can display their flair. I visited three
cultural institutions during my recent
visit there.
This lovely gallery
occupies its own building inside the
Vista del Mar Resort, the city’s leading
vacation spot. It was named after former
Congresswoman Maria Clara Lobregat, who
is the mother of incumbent Mayor
Lobregat. On the upper level are the Art
classrooms where students and other
interested individuals can learn the
basics of Art, especially painting and
papier-mache.
“What beautiful paintings!” I remarked
to the two ushers who were guiding me
around. “Who are the painters behind
these?” To my utter surprise, they
informed me that the canvases I was
admiring were painted by students who
had attended the Art classes upstairs.
“Well,”
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the
corridor leading to the Museum, I seemed
to be inside a Time Machine where
Yesterday became Today, and the Present
became the Future. Why the sensation?
Was it perhaps the 17th century
architecture with its ramparts and
balustrades? The feeling beggars
description.

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Exterior view of
the National Museum of Zamboanga
City |
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The
Museum has several sections spread over
the Fort, but I had time to see only
two: that which housed artifacts such as
old vintas and similar seagoing vessels,
as well as indigenous costumes of old;
the other was the Hall of Photographs on
an upper level which I had to ascend
sans shoes, but not really barefoot for
I had stockings on. Shoes are disallowed
in the area to avoid too much tear and
wear on the wooden flooring. Shown were
old photographs of various points of
interest in Zamboanga City such as its
time-honored plazas, public edifices,
and places of worship. |
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“Flower Vases” by
student Anthony Tubio at Maria
Clara Art Gallery |
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I
said, “these youngsters certainly have
what it takes to be great artists!”
I was shown to a section where the professional artists of the city had
their canvases mounted.
I was particularly struck by the works of Chrisel Babol. I requested the
ushers to fix up an interview for me.
Babol is an impressionist painter who
derives his inspiration from the
loveliness of Nature. He has sold
several of his paintings to both local
and international buyers. “For me,
painting is a mission. |
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“Fish and Vinta” by a student
who signs only as J.B. at Maria
Clara Art Galery |
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Exhibit
of artifacts at the National Museum
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Gallery of the Peninsula and the
Archipelago |
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Within
the premises of the Ateneo de Zamboanga
City and located very near its entrance
gate is the Jesuit-run Gallery of the
Peninsula and the Archipelago. It has
three sections: the current where
temporary exhibits by different artists
are mounted in succession; the permanent
where the works of Zamboanga City’s
leading artists are shown, such as the
paintings of Chrisel Babol; and the
mini-library which carries rare and
current books about various facets of
the city. Gracing the foyer of the
Gallery is a painting by National Artist
for Sculpture Abdul Mari Imao. Also
decorating the foyer was a large
tapestry which, according to In-Charge
Tricia Mae Manulong, is known as luhul. |
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Woman’s portrait by painter
Yanno at the Gallery of the
Peninsula and the Archipelago |
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Painting by National Artist
Abdul Mari Imao, Gallery of the
Peninsiula |
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